«pulling the strings» 40 x 60 cm, pencil on paper, 2019

«In Devil´s hands» 40 x 60 cm, Ink on paper, 2017

«The idea of a primary condition
leads to scientific
and philosophical questions
which arerelevant,
although not determining,
but which are too large
and complex to try to understand here.
Tthe use of symmetry and asymmetry
is ours, and is related only indirectly,
in the nature of things,
as all things are, to the world…»

DONALD JUDD

«post-modernism» 42 x 37 cm, pencil and Ink on paper, 2016

«untitled» 42 x 37 cm, pencil on paper, 2016

«my friends imaginations» 40 x 60 cm, pencil on paper, 2016

«In the United States the present
time is becoming characterized
by the falsification of every
­thing public, everything visible,
and even function, as hard
a fact as it seems,
is being perverted to decorative
and bureaucratic uses.»

DONALD JUDD (on symmetry)

«my friends wrong imaginations» 40 x 60 cm, pencil on paper, 2016

«untitled (construction)» 40 x 60 cm, pencil on paper, 2016

Reasons for symmetry or
asymmetry should not
be made out of those aspects
as they occur in the world;
in fact, there
the distinction even holds.

«the watching hand» 40 x 60 cm, Ink on paper, 2016

«cat ironing» 40 x 60 cm, ink on paper, 2016

«The primacy of symmetry
in art and architecture
is not very definitive
or restrictive because
there are so many kinds,
some very close to asymmetry,
such as some of the numerical
progressions that I use. … »

DONALD JUDD

«rabbit hole inside out» 40 x 60 cm, ink on paper, 2018

«sketches» 32 x 47 cm, ink on paper, 2016

«sketches» 32 x 47 cm, ink on paper, 2016

«Absolute symmetry
is marvelous and
it’s also marvelous
when symmetry itself
allows variation,
when the logic
of the situation
causes or allows an approach
to symmetry. …»

DONALD JUDD